12.01.2009

Burberry Revisits Militant Roots for Pre-Fall

Any fashion aficionado should know that late November/beginning of December is the commenCheck Spellingcement of a new season, well a very brief one. The Pre-Fall 2010 is taking shape and designers are toughing up to enlighten us with substantial offerings for next year. Although I won't necessarily be rushing into their boutiques to grab one of their latest creation, it's nice enough to look at, or at least dream about those coveted pieces. Pre-collections are meant to serve as the "middle-man" between the main pret-a-porter collections. I feel like designers are not being as detailed nor as creative for this type of collections, instead they seem to be focusing on a more commercial aspect of the business, sending out clothes that people can actually wear, and most importantly be able to find them at a nearby boutique or retailer.
And that seems to be the case at Burberry. Christopher Bailey has been at the helm of the venerated Brit-house for quite a while now, and he has beautifully mastered the technique of producing exceptional collections season after season, whilst revitalizing Burberry's ubiquitous trademarks such as the trench coat and plaid pattern. His mini collection for Pre-Fall 2010 consisting of just over 22 looks including a few men's options, sort of traces back to the roots of the brand, it exudes a strong yet delicate belligerent attitude with a touch of femininity. The combative elements are evident from epaulets that some of the coats display. Also, the somber, monochromatic colour palette Mr. Bailey relied on for this season with variations of green, contrasted with touches of burgundy, suggested a rather confidence Burberry girl who never looses her feminine delicacy. Most of the separates were paired with either a slightly high waisted trouser or a very crisp, simple pencil skirt and every look, including evening pieces were belted. In addition, there was an evident juxtaposition of textures, the stiffness of the jackets with the loosen, ruche dresses, creating an alluring effect on the body. Unsurprisingly, this was another successful Burberry collection that is certainly not going unnoticed, keep your eyes on Christopher for next season.
I love this coat, looks like goat mohair
I would totally wear this denim fitted button-up, looks so pricey, perhaps it has silk in it?
Photos by Style.com

Currently Listening: I Like - Keri Hilson

11.03.2009

Update!!!

I been M.I.A for a minute, life is not as easy as I expected being a young adult, there are mounted responsibilities and necessary evil things that one must take care of in order to progress in this rather strange world we live in today. I needed to find a way to gain a financial income as soon as I graduated from school so I found a temporary job, which pays pretty much most of my bills and some. It has nothing to with fashion, but it's fine for now.
I don't recall mentioning this before but a while back I stumble into a teen magazine called RIP (Revitalize, Inspire, Perform) on the Metro Center station. I read it over and noticed there was no fashion within that issue, so I decided to called the publisher Evelyn Rodriguez and we set up a meeting, days later we met and she saw my portfolio, she obviously liked it. I started to work as soon as I got home. For the editorials I wanted to shoot at a local forest that has been recently modified so I thought that was a great option, the only challenge in my path was getting all the clothes together (keep in mind that I'm doing all these by myself), so I started to look into my Mom and aunt closets' and picked out a few pieces. It was a bit of a hustle since neither my Mom nor aunt are the most "stylish" women on earth, but I managed. In addition, I also added a few of my pieces I did for my fashion design class like the purple bow neckline dress and that blue tie-dye sleeveless dress. In this opportunity I had the chance to work with Hiwote Swann who worked the camera like no other and Marco Valencia who shot all these beautiful pictures below...
The male model was a no show, so I had to reschedule a shoot with Marco. And I had to get a new male model so I was going through my facebook friends and I found Nick Towns, I told him about the shoot and he came over and he shut it down, he was amazing (as you can see). On the mean time I was trying to assemble all these clothes and trying to figure out a look that would work for the magazine, I started contacting different stores, but I never got a respond. I seriously never thought borrowing clothes was such a hustle, probably if I was working for Vogue, there would be no problem. So then, I started looking into my own closet and pull out this dark blue blazer that could work with this military blue vest that I borrowed from a friend, the I started looking at couple of scarfs and hats. I also wanted to include this really fun piece I made a while ago. It was a dye baggy jean that I purchase so long ago that I never wear since I don't think it looks good on me, so I cut the bottom part out and saw another piece with a different fabric, the end result was not exactly what I expected but it looked a bit funky so I was pleased.
T-shit is by EyeBone www.eye-bone.com
I believe this shoot gave me a glimpse of what being an editor/stylist is, creating a look, and making it happen. It almost felt like a puzzle, all the pieces were scattered around and one somehow have to fit them all together to achieve a cohesive imagery. I could definitely see myself doing this as a living...
"Young Opulence" for RIP Magazine
2009 Fall issue
Photographer: Marco Valencia
Fashion Editor/Stylist: Jimmy De La Cruz (me)
Model: Hiwote Swann
Male Model: Nick Towns

9.06.2009

Vogues' September

What's better than late night sex and a bottle of strawberry Sobe? Any Vogue issue calls my attention, but a September one is definitely a show-stopper. Like I mentioned on my previous post, September is the "January" in fashion, it represents an avalanche of new, exciting fashions for the next couple of months, it's the issue where magazine feature the most ads pages in the entire year and the most inspiring, fashion-forward editorials. In other words, it's make or break time.
There is always this huge frenzy over who is going to appear on the September cover of Vogue, especially the American one. But this time, it's seemingly a rather safe choice Wintour has gone with the former model and actress Charlize Theron. Keeping it 101%, I was not quite familiar with this women until I saw "Trapped" on TV a couple of days ago, you know, that movie from a couple of years ago featuring Courtney Love and Kevin Bacon. Well, I'm sure you seen this lady before. Aforementioned, the cover, shot by Mario Testino in various landmarks in New Mexico looks a bit expected; a blond (caucasian) beautiful woman in a beautiful gown, groundbreaking...( F.Y.I, she's wearing a Dior dress).
Moreover, so called "It" girl of the moment, Lara Stone, is feature on the cover of French Vogue, It would be unfair and a bit bias for this girl not to have a September cover after being name by so many illustrious fashion authorities as the top model in the industry. What surprise a few though was Stone's hair. Her blonde trademark do, probably looked bland to Ms. Roitfield so she thought of shacking the industry a bit by turning Lara as a brunette. It's nice to see such enchanting versatility from the not most conventional model. Despite the fact Lara is Carine's favorite model, she has succumbed through "adversities" such as her tooth-gap, not fitting into a size 2 ensemble and a few others, to land a spot on the cover of Vogue, a September one, at that. Some might say those were obstacles she had to bravely face, however, though, those were some of the characteristics that made her stand out from the rest and lure attention from big photographers and very influential editor such as Carine Roitfeld. I'm more than excited to witness a slow but sincere shift in the industry, embracing the different, unconventional, and what's not popularly-considered "pretty".
There is no September without a shocker, I mean Gisele Bundchen on the cover of Vogue India. To the best of my knowledge, India is not the most open-minded country, where woman are not considered as the "better" gender. The model is not the dilemma, but the fact that she's in a two piece bikini, revealing a bit "too-much". I'm sure to several Indian natives, that look could be considered inappropriate and/or grotesque, but I feel like the world, especially the fashion industry is not going to surrender and mute models from showing a bit of legs, stomach and sometimes a nipple or two just because their religious background does not tolerate nor support that kind of exposure. It's a shame, since I'm aware that India is a hot fashion spot, they have a full blown fashion week, they also have a few emerging designers and now they publish one, if not the most influential magazine in the industry, needless to say the name. In a more positive note, the cover looks a bit refreshing, more fun (wonder who made that jacket), less restrained, what it should be.
Kate Moss is a supermodel and supermodels are not stranger to Vogue covers, but gracing two coveted spots on British Vogue and Russian Vogue sounds almost surreal. Moss has become more than just a supermodel, but a designer (has her own Topshop line), style icon, but most importantly a role model, so I don't blame editors for pulling Kate to grace their covers. It's almost like a sure bet, she sells, no matter where her face pops up or where her name is printed on, everybody wants a piece of her. German Vogue looks a bit like a Victoria Secret campaign; the black bodice, the see-tru stocking and hot pink stilettos does send s strong sexual message, not to mention her finger sensually resting on her lips. Hey!, sex sells, even in Germany. The Japanese version of Vogue, Vogue Nippon features Iris Strubegger styled by George Cortina in this satin backless light orchid-colored gown that literally screams "I need a red carpet moment" through the photo. Most magazines cover, no matter the month, usually display models on head-to-toe or up-close shots, this time Iris poses side-ways in order to show off the quite seductive back features of the dress. Love it.
What had me walking on a string, though, was Italian Vogue. There were rumors over the fashion blogosphere that Vogue Italia was going big, going trice, three covers for September. I was excited to see what the Italian team was going to pull off now. I first saw the cover with Natasha Pivovarova and Ash Stymest, and the questions rose. Is homeless-chic-look back?, my question was answered when the other two covers surfaced, featuring Anna Jagodzinska, Jamie Bochert and a few other male models that don't look too familiar. I must admit Karl Templer did such a fantastic job with the styling for the cover and the editorial called "Performance" (which I'll talk about in a future post). It almost makes me want to change my entire wardrobe and go homeless-chic. The beat-up and raggedy yet awkwardly stylish pieces do look so character-driven, ready to be worn to a play on Broadway, but I can still picture folks walking around in these grungy looks, well maybe not the whole head-to-toe look, but a cleaner, simpler version of it.
Below some of the covers mentioned above.
Vogue
Photographed by Mario Testino
Styled by Tonne Goodman
Actor Charlize Theron
Vogue Paris
Photographed by Mert Allas and Marcus Piggott
Model Lara Stone
British Vogue
Photographed by Mario Testino
Model Kate Moss
Italian Vogue
Photographed by Steven Meisel
Styled by Karl Templer
Model Sasha Pivovarova, Ash Stymest
Italian Vogue
Photographed by Steven Meisel
Styled by Karl Templer
Models Jamie Bochert, Christian Brylle
Italian Vogue
Photographed by Steven Meisel
Styled by Karl Templer
Models Anna Jagodzinska, Max Rogers, Will Lewis
Vogue Brasil
Photographed by Jacques Dequeker
Styled by Matheus Mazzafera
Model Ana Claudia Michels
Vogue India
Photographed by Mario Testino
Model Gisele Bundchen
Russian Vogue
Photographed by Solve Sundsbo
Model Kate Moss
German Vogue
Photographed by Alexi Lubomirski
Styled by Christiane Arp
Model Anja Rubik
Vogue Nippon
Photographed by Inez van Lamsweerde and Vinoodh Matadin
Styled by George Cortina
Model Iris Strubegger

9.03.2009

NY Gets a Couture Touch

jumpsuit and overalls by Yves Saint Laurent
Freja on David Koma dress and Sasha on Stella McCartney coat

Dolce & Gabbana
John Galliano
Alexander McQueen
Nina Ricci
Maison Martin Margiela
Editorials spreads are flooding in, especially in September, where magazines usually offer their supposedly best foot attributions for their readers. I love editorials, in fact, that's the first thing I usually look at when I open up a fashion magazine. I admire people who take risks, and step out to bring out such inspiring imagery that not everybody can pull off, these editorial shots just show that. The story, feature on V Magazine is titled "Live From New York". It was shot by Mario Sorrenti and styled by Jane How. In another note, what's interesting though is the fact that the editor picked Freja Beha Erichsen and Sasha Pivovarova for this shoot, not the most sexiest models out there, but they are sure few of the most high fashion, they take great pictures and they get the job done. Sometimes, editorials look so banal and boring when they choose the same girl, and the look is always the same; one hand on the waist and the other one over her head, with a nipple showing. I'm concern on what some editors consider sexy, why not try something new and pick a different girl to stir things up a lil'?, but anyways I'm not in charge.
What I love about this story even though they're just pret-a-porter pieces, there is this strong couture-esque feeling to the looks. The obscure with the reverent, the insane with femine/lesbo attitude coming from the model's majestic poses. On the first picture, Sasha is wearing this black Yves Saint Laurent overalls, that on he runway did not convinced me, but on this picture it blows my mind. I like the fact that they intended to include a vast range of designers on this story shot in NY. It just makes sense, New York is a city composed of a huge influx of ethnic backgrounds from all over the world, it's a place where one can find a piece of home, far away from home, that's actually one of many things I'm obsessed about NY. I also appreciate the fact the pictures where shot from such an angle so it catches the spirit of the city and the beauty of the architecture and surrounding areas, the choice of producing the story in black and white brings the attention from the background to the fashion, which I love, but it also takes away from the beautiful colors that the clothes radiate, I guess it was a take-and-give/give-take situation. In any case, I'm really anxious to see this editorial printed on the latest V, I can't wait to cop it!.
Pixs: vmagazine.com

9.02.2009

Arlenis




Ms. Sosa is seriously the hottest latin model out right now, her agency Marylin Model Management just updated her book with these polaroids posted on models.com, and let me tell you she's giving folks a run for their money. For some reason, I think she looks a bit thinner than past years but she stills manages to keep such a beautiful and flawless skin. Arlenis has already accomplished a lot for her young career, she has appeared in Vogue, shot a truly inspiring and uplifting editorial for Time magazine, she's also one of the favs of Oscar de la Renta and now she's on the cover of i-D September (which I'll talk about in future posts). I'm so delighted to see a latin woman succeed in such competitive industry, in a place where her skin color is a determining factor when it comes to booking a job or not (it's sad, but true, fashion is still racist). I'm hopeful to see more things coming from her, especially in this upcoming fashion week. Bravo Arlenis!
Pixs: models.com